Hi all! As I'm still a relative newbie one of the things I still need to work on is my colouring with Promarkers, as I've had mixed results so far and a number have ended up in the bin! I had some time tonight so thought I'd do a bit of a card test, to see which card or paper works with Promarkers the best. I thought I'd share this with you in case it helps you or you have your own suggestions from your experience.
The first card was basic, cheap uncoated card I picked up in The Range (200 gsm). The second was Ryman's coated art card (200gsm), which I had seen discussed on the Docrafts forum as good with Promarkers. The third was Copic marker paper I picked up in a local craft shop, which is only 70gsm. The image (Gorjuss Girl - sitting) was stamped with Memento ink and coloured with the following Promarkers: Hair - tulip yellow, honeycomb, burnt orange. Dress/tights - pastel blue, powder blue, denim blue. Skin - ivory, satin, dusky pink.
The colouring technique was as advised in the excellent tutorial by Nic at Coop's Cluttered Corner - all over in the lightest colour, then medium colour almost all over, then a little of the darkest colour, then all over with the lightest colour again in circular motions to blend.
The first set of images shows the full image, taken with the same camera at the same time.
Uncoated
Rymans
Copic
The images below show a close up.
Uncoated
Rymans
Copic
The last images show the reverse of the card/paper, to show you how much ink bled through.
Uncoated
Rymans
Copic
It was immediately clear that the uncoated card was simply rubbish! Though blending was easiest with this card, the ink very quickly bled over the lines and smudged the Memento ink a little - the amount of bleeding is really clear in the reverse image. The colours also looked very washed out.
The Ryman's card stood up much better. There was no bleeding over the lines and blending was still easy as the card is very smooth, though the colours tended to blend a little too much for my liking as a lot of the contrast between the lightest and darkest shades was lost. The colour vibrancy was a little better than the uncoated, but still a little washed out.
I was immediately struck with the vibrancy of the colours with the Copic paper, especially with the red hair. I didn't use any more of the 'burnt orange' than on the other cards, but it is much more prominent on this paper. Blending did take a little more work with this paper, but as the ink dried it seemed to blend itself a little. The paper is coated on the reverse so it doesn't bleed at all, as seen in the reverse image.
Overall, I was happiest with the result with the Copic paper, although it is very thin at 70gsm and would need to be mounted over another piece of white card so it doesn't end up see through on a finished card, and it is a little more expensive - I think I paid £4.99 for a pad of 50 sheets. I think I will use this in future when I am able to mount it over another piece of card, but for images where I want to cut closely round the edge I will use the Ryman's card.
I'd love to know what you think, and if you've done your own tests to see how the results turn out. Ta ta for now!





